Shortlisted Entries
Art
These shortlisted entries have gone forward to the final judging panel, with the winning entry to be announced in November. You can view their works below, and find out more about the shortlisted entrants at the bottom of the page.
These shortlists were picked from a total of around 1,700 artworks submitted to the King Lear Prizes, and the judging team selected these shortlists in their respective categories based on the King Lear Prizes rules.
Art - Beginner
Honey
Christine Neale
Coloured Pencils on Grafix drafting film
Summer Day at Tarr Steps
Mark Pitts
Oil on canvas panel
Brograve Mill
Teresa Clare Bingham
Photograph
Sunflowers
Lyndon Rutherford
Glass mosaic and coal
Greenbank Park Liverpool
Julia Reid
Acrylic on Canvas
Wisteria Wall
Alan Wilson
Oil on MDF Panel
No One Takes the Bins Out Quite Like You Do
Steve Hawker
Acrylic on Paper
Scottish Wildlife
Bernadette Duncan MBE
Acrylic on Canvas
Art - Experienced Amateur
Determined
Aileen Semple
Pastel
A Bigger Moment
Michael Moore
Acrylic on canvas
The King Leaves the Abbey
John Tordoff
Mixed media. Acrylic and Collage
Cornish Coastline
David Rose-Massom
Photography - Print
Wolf-Wool
Cindy-Lou Thompson
Needle Felted
Kiev Firefighter
Paul R Beasley
Acrylic on Canvas
Highly Commended Entries
Art
In addition to our shortlisted entrants, our judging team was particularly impressed with the following Highly Commended works, chosen from thousands of works in the art category.
Art - Beginner
Monica Archer - Introspection
Monica Archer - Company For Tea
Ruth Ashford - Evening Land And Sky
Teresa Clare Bingham - Beach Walk
Teresa Clare Bingham - Sunset Swim
Stephen Bowers - Coastal Scene
Barbara Bridger - My Bottle Is A Watering Can
Kathryn Brown - 4 Generations Of Togetherness
Sally Burnley - Brooding Presence
Frances Caldwell - Pistyll Rhaeadr Waterfall
Frances Caldwell - Sunset At Ilfracombe
Jacqueline Carr - Happy Days
David Coates - Sun Down At Sunny Sand
David Coates - Blustery Seabrook
Philip Dakin - Dave
Louise Davies Jones - Coronation Morning
Alice Dean - Delilah
Alice Dean - Céleste
Una Dinning - Kubla Khan
Julie Dore - Dream
Julie Dore - Cornwall From My Memories
Bernadette Duncan - Scottish Sea Life
Ellen Else - Flowers
David Elsmore - Self Portrait
Glyn Fletcher - River Winding Through The English Country Side
Robert Fordham - Morning Lillies
Robert Fordham - Bluebell And Beth - Coronation Special
Robert Fordham - A New Beginning
Robert Fordham - Last Rays Of The Sun
Jean Freeman - Inside My Head
Paul French - Training For The Big Day
Christine Garland - Blue Jay
Jennifer Grummert-Jones - Landscape #3
Grenville Harding - Rare Melanistic Ruderal Bumblebee
Steve Hawker - Little Green Frog
Steve Hawker - Tulips & Cake
Steve Hawker - Bowie Rewound
David Hooper - Lady In The Mist
Kevin Hopkins - Regeneration
Kevin Hopkins - Evie
Enfys Hughes - Parc Caernarfon
Norma Laming - Sheila’s Vase
Norma Laming - The Day After The Coronation
Janie Lee - Ruby
Janie Lee - Beth And Bluebell - From Rescue To Royalty
Geoff Lowe - Elephant In Misty Sunlight
Jane Mills - Ghosts Of Big Pit Colliery
Alexander Moffat - Mum
Brian Mullally - Watching The Ballycastle Fancy Dress Parade
Marian Murphy - The Parlour
Christine Neale - Blue Jay
Pauline Prowse - I've Got This
Nick Rabson - The White Hart
Caroline Richardson - Pisces In Stone
Anita Robinson - Green Day
Jan Rogers - Ostrich Through The Camera
Khwaja Roomi - Hampstead Heath
Jennifer Stewart - The Optimist
Brian Taylor - Three Red Kites Feeding.
Simon Wood - Oglet Shore Beacon
Art - Experienced Amateur
Sandi Allen - Royal Safari
Sandi Allen - Jump
Martin Ansell - Ted And Nora
Paul Barfoot - Lucy
Linda Bartlett - Estuary
France Bauduin - Sentry Watch
France Bauduin - The Thinker
Roger Beck - Grandstand View, A Special Day
Judith Beeby - The River At Malmesbury
Lee Belcher - Sea And Sky
Jennifer Blenkinsopp - Dancers In The Wood
Simon Bond - James Naughton
Tim Bos - Rocks (Galloway Coast)
Tim Bos - Watching The Coronation
Louise Buckle - Bubbles
Julia Camden - Captain Steampunk Mouse
Stephanie Campbell - Tuscan Colour
Naoko Carter - Alfresco
Raymond Cassidy - The Reverend Brown
Janet Cheary - Rainbow Spirit
Austin Clifford - Old Chestnuts 3
Pam Clubb - Empire
Michael Cox - Next In Line
Philip Cuttell Cuttell - Ukraine 2023
Lainy Dalzell - Her Majesty
Maeve Davies - Ageless Beauty
Alan Davies - Llangollen Morning.
Maeve Davies - My Sweet Lord
Maeve Davies - John
Franca Douglas - Two Tulips
Stephen Ellis - Potsdamer Platz
Margaret Ellis - Christmas At Castleton
Linda Fraser - The Gap Between
Kate Gabriel - Golden Hour Hare
Danny Garrison - Richmond Hill
Thomas Gifford - Forest Path.
Thomas Gifford - Hayling Island Sunrise.
Nicholas Granville - Padley Gorge Wedding
Pauline Guest - Iris
Pauline Guest - Mamma
Roy Haines-Young - For This Moment (River Trent)
Edward Hall - On The Afon Roe , Rowen
Sandra Haney - Alnmouth Beach
Maureen Hawkridge - Moonrise
Gill Higton - Time And Tide
Philip Hood - Garden In Menton
Andrea Hook - A Shadow Of My Former Self
Andrea Hook - Precious Metal
David Hopkins - Riaz
Kieth Hughes - Urban East End
Jan Husband - Our Green And Pleasant Land
Ian Irving - Shell Shock Ukraine 2023
Joan Jackson - Childbirth
Margaret James - Coronation Tea Party
Nicola Johnson - Hrh Acrylic Portrait Profile On Board (300dpi)
Celia Johnson - Thoughtful Friem
Livia Jones - Denise's Vases
Maggie Jones - Winter Weather In Wales
Pat Keeler - Holiday Time
Maureen Lacey - Self Portrait From Quite A While Ago
Martin Lambert - Blackbrook. Shepshed
Markina Leon - Coronation Street Party
Mark Leveson - Wildflowers 3
Alec Lewis - Blue Lady
Aileen Logan - A Wild Day On Hadrian's Wall
Aileen Logan - In Roman Steps
Brenda Lyon - Breakfast With Charles
Michael Masson - The Merseyside Derby 70s
Albertus Mensinga - Stormy Night
Jane Montague - South Downs Soil
Michael Moore - A Bigger Moment
Beatrice Morton - Still Life
Debbie Nuttall - The Beauty Of Ma With Automatism
Angela O'Connell - Get In Touch With Your Glamourous Side
P Parnham - Portrait Of Paul
Joanna Payne - His Majesty King Charles Iii
Gary Peerless - Sanctuary -European Barn Owl
David Rigg - Robin Hood's Bay
Robert Rose - G40rove Woods On November Afternoon
Marina Rule - Coronation House
David Sankey - Ann
David Sankey - Rainy Night On Broadway
David Scott - Defender Of Faiths
Heather Sheldrick - Ne'er Cast A Clout Till T'may Be Out
Robert Sidery - Flamenco
Linda Smith - “Fastnet”
Helen Stanfield - Queen Elizabeth Ii
Lesley Stevens - My Ol' Dad
Roy Summerfield-Shapiro - Oranges
Ken Taylor - Judy, Model At Sarum Studio
Nancy Taylor - Ram
Ken Taylor - Portrait Copied From Sir Thomas Lawrence's Painting Of Pope Pius Vii At Windsor Castle
Paul Thomas - Storm Over The Isle Of Sky
Christine Tierney - Bird In Tapestry Garden
Stuart Todhunter - Placa Sant Agusti Vell - Barcelona
Tony Topley - The Basket Weaver
Tony Topley - Family Group
Tony Topley - Lady With Pig, Spain
Christine Tuncelli - Mary’s Lilies
James Usher - Three Day Millionaire
Ros Wass-O’Donnell - Friends Relaxing
Ros Wass-O’Donnell - The Skinny Dipper
Tina Watkins - Michael Sheen
Tina Watkins - What A Laugh!
Petra Wend - Portrait Of Antonia
Petra Wend - Sunlight Reflections
Lin West - Castle In The Mist
Paul Wheeldon - Betty
Dora Williams - Love Snails
Nigel Williams - Source Of The Tawe
Abigail Winfield - Time Management
Pete Witcomb - Still Life With Teapot
Non Worrall - Every Which Way
Meet Our Shortlisted Entrants
Art - Beginner
Christine Neale
Tell us a bit about where you live?
I live in a tranquil and peaceful old village called Wiggenhall St Germans, in the heart of the fens and close to the beautiful North Norfolk coast. The area has attracted many landscape artists as it is renowned for its big skies and beaches besides being home to a wide ranging and diverse population of wildlife, especially birds. I’m also fortunate enough to be close to Sandringham House with its incredible gardens and church; surrounded by lots of forested land to walk in.
Why did you enter the King Lear Prizes?
Although I’ve always loved art it wasn’t until the beginning of this year that I started to think of it as more than a casual pastime. I consequently purchased my first set of coloured pencils and watched a few videos before deciding to try using a photograph reference and drawing my own pictures. I saw the King Lear Prizes advertised on social media and thought that it was a brilliant idea to attract the over 60s to participate in all forms of art.…..this encouraged me to enter my first ever competition! Sometimes being a certain age has its advantages!!!
What inspired your work?
When I started using coloured pencils I was nervous of attempting any animal with long, curly fur!! Knowing this my daughter asked me to draw ”Honey” a long, curly haired spaniel! Honey is owned by the grandparents of my son-in-law and is approaching 14 years old and still gives them a lot of love and comfort. This picture will be gifted to them at Christmas. It took many hours to complete and I was inspired by the many colours in her coat. I absolutely loved doing this picture and long, curly fur is definitely not as scary now!
Mark Pitts
Tell us a bit about where you live?
I was born and live in Rubery, just south of Birmingham close to the Lickey and the Waseley Hills. I have happy memories of growing up around this area. I retired in September from working at Land Rover, Solihull for 29 years. I now have more time to pursue my hobbies, which include Masters swimming, pencil and pastel drawing and obviously painting.
Why did you enter the King Lear Prizes?
I entered the King Lear Prizes after seeing an advert on Facebook under the heading "Things that may be of interest to you." I was in the process of finishing the painting and thought why not? So I entered.
What inspired your work?
The inspiration came from a photo I'd taken while staying at our caravan in Somerset. We really enjoy walking in Exmoor and the surrounding area, I take photographs hoping to capture something worthy of painting. I'd seen a few paintings of Tarr steps, all were looking at the bridge from the side and I thought this angle was different with the trees used as a natural frame for the bridge and the scene on the other side of the river.
Teresa Clare Bingham
Tell us a bit about where you live?
Having always lived in Warwickshire, including Stratford-upon-Avon, I now live with my husband on the outskirts of the market town of Nuneaton. We bought our current home two years ago as a renovation project.
Enthusiastically I said at the time of purchase, “it’s never too late to renovate.” Two years on, and we are still renovating.
The large overgrown garden, also part of the project, continues to be a challenging work in progress.
Why did you enter the King Lear Prizes?
I entered King Lear Prizes as it was an opportunity to see if my photography was worth a second look.
Now, I am absolutely delighted to discover my photograph of Brograve Mill has been shortlisted in the ‘Beginner Art’ category.
What inspired your work?
The inspiration for my work was the Norfolk landscape.
I’ve loved the large skies and stunning scenery of the area, since childhood, having had many lovely holidays on the North Norfolk coast.
During a recent visit, while walking the footpath alongside the waterway, Waxham New Cut, with my husband, and our golden retriever, I was able to stroll and enjoy the sounds of nature, see the beauty of the flat land and imagine the backstory of the dilapidated mill across the water.
I hope my photograph of the waterway and the derelict Brograve Mill capture the peaceful simplicity of a moment in time.
Lyndon Rutherford
Tell us a bit about where you live?
I live in Killingworth, North Tyneside, about 7 miles from the centre of Newcastle upon Tyne and have been in this region all my life. I worked in the North East mining industry for over 40 years. As a coal preparation engineer, I covered most of the Northumberland and Durham coalfields. This part of my career ended with the closure of Ellington Colliery in 2005. I continued to work on coal quality for Lynemouth Power Station, until its conversion to biomass in 2017.
Why did you enter the King Lear Prizes?
I developed an interest in water colours and later in stained glass. The latter and a gift of boxes of glass from an emigrating fellow glass artist led to a surfeit of smaller pieces of glass which I made into a mosaic. Many friends and neighbours admired my earlier work and said it deserved a wider audience. But where to begin? The King Lear Prizes seemed like an ideal opportunity to dip my toe in the water.
What inspired your work?
After creating an external screen, inspired by the book ‘Masquerade’, I looked for inspiration closer to home. This series, ‘The Last Seam’, has been informed by my interest and knowledge of the work that went on under our feet while life continued above.
Sunflowers is one of a series of five mosaics depicting the contrast between activities above and below ground in the Great Northern Coalfield. The mosaics are constructed from local coal while some of the glass used originated from the Hartley and Co Sunderland site.
Julia Reed
Tell us a bit about where you live?
I grew up in Carlisle in the sixties and came to Liverpool to study English and French - I thought the shops here were fab! 55 years later I’m still here in this wonderful, vibrant city.
Why did you enter the King Lear Prizes?
I entered the King Lear Prizes because friends encouraged me to do so. Also, I love Shakespeare.
What inspired your work?
The inspiration for my painting Greenbank Park was that it is my local park - Liverpool is full of great parks and green spaces - situated at the bottom of my road. It has provided a community hub during the turmoils we’ve all faced over the past few years.
Alan Wilson
Tell us a bit about where you live?
I live in Marchwood which is village situated between Southampton water and the New Forest a beautiful part of the country near Beaulieu, Brockenhurst and Lyndhurst all of which are within easy reach.
Why did you enter the King Lear Prizes?
I entered the King Lear Prizes having read about it on the internet. Being interested in art particularly and recently, photo realistic oil painting, I saw it as an opportunity to get some useful feedback on the standard and quality of my work. I never dreamt it would be shortlisted.
What inspired your work?
I was interested in painting this scene from a photograph my wife took when we were spending time with family celebrating her birthday at Nailcote Hall Hotel Golf and Country Club, Berkswell Warwickshire. She is enthusiastic about beautiful flowering plants, and I subsequently saw it as an opportunity to paint it for her as a gift. She was delighted with it and suggested I submitted it to King Lear.
Steve Hawker
Tell us a bit about where you live?
I live in the ancient and beautiful city of York. The city is vibrant, full of history and tourists, and as a bonus is surrounded by fantastic countryside in the form of the Yorkshire Dales, the North York Moors, the Howardian Hills and the Yorkshire Wolds.
Why did you enter the King Lear Prizes?
My Art Class Tutor suggested I consider entering the competition and I thought it would be a good experience and a great opportunity.
What inspired your work?
I am inspired by the things I see around me, but perhaps mostly by as what my wife describes as my ‘quirky sense of humour’.
Bernadette Duncan MBE
Tell us a bit about where you live?
After retiring from a busy full time career, I settled in the lovely small town of Newburgh in Fife, Scotland. We are lucky to live with a view over the beautiful river Tay, with its reed beds, wildlife, an ever changing landscape, colourful days and amazing sunsets. The area is well known for its artists and we are lucky to have the North Fife Open Studios to visit each year.
Why did you enter the King Lear Prizes?
Being retired I was able to join a local small amateur art group for inspiration and to learn new skills. Some friends suggested I should exhibit my work but with only a small audience locally I thought an online presence may be worth a try. I was very much encouraged by the King Lear competition and just decided to give it a go!
What inspired your work?
My dot painting is inspired by a visit to Australia, in particular to Bond University, where they hold the largest collection of Australian indigenous art. It is stunning work with beautiful bright colours, which I love, and it inspired me to try out that style of painting but representing Scotland wildlife.
Art - Experienced Amateur
Aileen Semple
Tell us a bit about where you live?
I live in Drymen which is a small village near Loch Lomond in Scotland. It is a beautiful part of the world and very inspiring for creativity.
Why did you enter the King Lear Prizes?
I entered the King Lear Prizes as I saw it advertised and thought it was great concept (for the more mature ☺️) to showcase work and also demonstrate that you don’t have to be young to show imagination fun creativity and innovation.
What inspired your work?
I’ve always loved images of water and underwater, the distortion and colours it produces. I paint lots of dog portraits for friends so decided it would be fun to combine the 2 together.
Michael Moore
Tell us a bit about where you live?
I live in the south of Hampshire, a short walk from The Solent and views across to The Isle of Wight. The scenery here is beautiful, whether it’s the sea, the arable areas or The New Forest. Over the years, my career in education took me and my wife right across the south of England, but we have finally retired to Gosport and I am painting again full time.
Why did you enter the King Lear Prizes?
I entered the King Lear Prizes for a couple of reasons. Firstly, after an hiatus of over 30 years, I have been painting again in earnest for the last five. It’s time, my friends tell me, to share with a wider audience.
Secondly, it’s a way of helping me overcome feelings of ‘imposter syndrome’ and have my art compared to those who are currently more established and recognised than myself.
What inspired your work?
The city holds both a fascination and an intimidation for me. Retrieving the source imagery and the subsequent act of painting, explore, express and appease these emotions.
Distorted reflections comprise my main trope. They are particularly appealing to me as a metaphor for painting itself, because they are simultaneously on and through the surface at the same time.
Just as a science fiction film can draw you in and be engrossing and believable while bearing no relation our own environment; I want my paintings to represent a believable space, but not one that simply mimics reality.
John Tordoff
Tell us a bit about where you live?
I have been living with my partner, here in central Cambridge UK for the past fourteen years. Our street is made up of terraced houses built around 1850. I am fortunate to have a spacious studio up on the third floor. My rule is to try and paint every day, though having just past my eighty fifth birthday, my output is not what it was.
Why did you enter the King Lear Prizes?
Being an ex actor I am a natural show off and will jump at any opportunity to exhibit my work. Hearing about the competition through the grapevine of the internet, I thought ‘Oh, yes! I’ll have a go at that.’
What inspired your work?
The reason I chose to paint the recent Coronation goes back many years, to 1953. Then, aged fifteen, I painted the coronation of Queen Elizabeth the Second. Now, seventy years later and still an ardent Royalist, I had no choice. I simply had to do it again.
David Rose-Massom
Tell us a bit about where you live?
I live in the beautiful county of Cornwall, that's the pointy toe bit on the map of the UK. The light here is clean and beautiful and it has drawn many artists to the region. Every day is a different view of this wonderful landscape and every day is a joy living here on the north coast of the county at the small seaside town of Bude.
Why did you enter the King Lear Prizes?
I entered the King Lear competition because the standard of previous winners was so high I felt it would challenge me and my work which means reaching the short list is even more exciting.
What inspired your work?
My photography inspires me on a daily basis, I am disabled with a spinal condition and my cameras have the best pain-killing effect of all. I forget I have physical restrictions when out shooting as I am so wrapped up in my subjects be they human or landscape. My partner has a huge job keeping me away from the stunning cliff edges so I can get a better angle. With the landscapes and seascapes mixed with the amazing light I cannot fail to get inspired on an almost daily basis. More of my work can be found on my Instagram #davidrosemassom
Cindy-Lou Thompson
Tell us a bit about where you live?
I live in the Lincolnshire countryside near Skegness with my husband in a little bungalow.
Why did you enter the King Lear Prizes?
I entered the King Lear prizes because it was a creative arts competition for older people and I also wanted to show that needle felting can be seen as an “art form” and not just a craft. Because it is a relatively new creative medium, it hasn’t yet been accepted as “art.” I hope to help change that.
What inspired your work?
Wolves are strong social animals, who live with adversity and persecution. I think they are magical creatures.
Paul R Beasley
Tell us a bit about where you live?
I live in Moulton Northampton Northamptonshire.
Why did you enter the King Lear Prizes?
I took part in the Chairman’s Prize section in 2020. The feedback inspired me to have another go.
What inspired your work?
I was due to go to Ukraine for a Christmas break, unfortunately the war broke out, my friend Tanya worked for the fire service in her home town of Cherkasy. Earlier this year I took part in (love freedom Ukraine) exhibition Milton Keynes. The fire fighter was exhibited.
On National fire fighters day in Ukraine this September, my painting was posted on their social media. This was a very proud moment for me.