Shortlisted Entries

Short Drama

 

These six shortlisted entries have gone forward to the final judging panel, with the winning entry to be announced in September. You can read their works below, and find out more about the shortlisted entrants at the bottom of the page.

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Bodyshop

By Russell Adams

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Dating for the Mature Woman

by Alison Mead

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Subversion 1605

by Rob Briggs

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Stargazey Pie

by Ron Fernee

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The Bits that Were You

By Heather Lister

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The Visit

By Graham Large


Highly Commended Entries

Short Drama

In addition to our shortlisted entrants, our judging team was particularly impressed with the following Highly Commended works, chosen from over 450 works in the short drama category.

 

Creative Writing By Paul Greenwood

In Confidence By Peter Wise

When Shakespeare Met Marlowe By Peter Larner

Dead Lane By Graham North

My Kotuku By Oliver Eade

The Departure Lounge By Christina Evans

East Side Story By Nigel Griffin

The Encounter By Clive Oldridge

Day For Atonement By Monty Holender

King Arthur And The Sticks Of Camelot By Barry Thomas

Jason & Elvis By Steven Simoncic

New Pitchman Dynasty By William Mclean

A Meeting Across Time By Patricia Kelly

Shakespeare's Last Birthday By Roger Elliott

Athenian Tragedies By Janet Jay

The Washergirl's Reward By Peter Smith

Bubble By Stanley Sarsfield

Lower Penbridge Is Closed By Graham North

A Mother’s Love By Corinne Reed

Money Is The Root Of All Evil By Bunny Judges

"Love You, Love You" By Doc Andersen-Bloomfield

Madge And George By Lyn Douglass

No More Blues By Colin Jacobson

Visions By Jane Willis

Great Stories From The Bible By Peter Talman

Love Is Just A Four Letter Word (Monologue) By Anne Pritchard

Enhancement By Margot Jobbins

Walking Around Ladders By Alex May

AVH 1 By Mel Jones

Union Jack By Peter Came

Happy New Year NHS By Claudette Flint

Prepped! By Jackie Kearns

An Ill Wind By Rosemary House

New York Dreamers By Norma Kelly

The Judgement Of Barnabas By Patricia Gordon

Mo, Mort And William (Or Meet King Lear) By Jeremy Joslin

Getting In Touch With Your Feelings By Sue Knott

Bring Me A Dream By Elizabeth Jean Rees-Lyons

Dilemma By David Mackenzie

Roadkill By Alan Robinson

Mending Broken Fences By Wendy Reynolds

Inside Out By Susan Serrano-Enriquez

Eighty Percent By Oliver Eade

"Not An Isolated Problem" By Stewart Arnold

Random Number By John Harrow


Meet Our Shortlisted Entrants

Short Drama

Russell Adams

 

Tell us a bit about where you live and about your life?

I currently live in Stonehaven, Aberdeenshire. A pretty coastal town just 15 miles South of Aberdeen.

I was born and brought up in East Kilbride, a new town near Glasgow. I left to join the Civil Service aged 18 in 1966 and went to London for 6 years. I left to go to Teacher Training College in Scotland and from there went to teach in Shetland. 

I met my current wife on a Teaching Course and we married and moved to Stonehaven in 1981. I have two children, a girl and a boy and have three grandsons aged 2, 3 and 5. I am currently retired.

My final job was as a Headteacher at Ferryhill Primary School in Aberdeen for the last 18 years of my teaching career. I am a member of the local drama group The Ury Players and have acted, directed and written several plays for this amateur group over the years.

Why did you enter the King Lear Prizes?

I entered the King Lear Prizes as it was exciting to write for a different audience and hopefully win a prize.

What inspired your work?

The play was inspired by the amount of focus that is on the National Health Service at ther moment during this pandemic. I was trying to imagine in a surreal way, what would happen if the NHS was sold off as was being threatened.

What else have you been doing to keep busy in lockdown?

Besides doing some writing during lockdown I am also a keen amateur photographer so have been doing things connected with this. Taking Macros, Still Lifes etc and learning new editing software.

What are you looking forward to most after lockdown?

The restrictions are slowly being lifted so it is nice to be able to hug the grandchildren and look after them again. I have also been able to get back out and play some golf and of course get out with the camera.

 

Alison Mead

 

Tell us a bit about where you live and about your life?

I live in South East London. I trained as an actress and worked for a few years all over the UK, went into teaching Drama, directed a lot of student productions and returned to the "Biz" when my children were grown and I was newly single and independent. It was then that I realised that mature roles are not plentiful so I turned my hand to writing them. 

Why did you enter the King Lear Prizes?

I loved the idea of being Shakespeare and writing during the plague and was delighted that you are aware that people of 70+ still have something to say.

What inspired your work?

I hate to admit it but all the events in the play happened with perhaps a little more salt and pepper added.  And, as so often happens, I tell a story and someone says "You should write about that!" And so I do.

What else have you been doing to keep busy in lockdown?

Since early this year I have been trying to get my house repaired which has been badly affected by an ingress of water. The work is done now (after a long wait for plaster to re-appear in the shops)  and I am licking my wounds and nursing my bank balance which is severely diminished. I've also managed to travel South to see friends who live by the sea and swam! and tomorrow I am travelling North to see other friends and do some walking.

What are you looking forward to most after lockdown?

Going to the theatre with friends; long walks; flying to Madrid to see my son and granddaughter without being quarantined afterwards.

 

Rob Briggs

 

Tell us a bit about where you live and about your life?

I live in the village of Wyke on the South side of Bradford, West Yorkshire. I left Grammar School at 16 and went to Art School to train as a commercial artist which led me into the world of printing - a job I did most of my working life. In my 20s I began producing, directing and writing plays for a small drama group.

Why did you enter the King Lear Prizes?

I learned about the competition from my sister-in-law who had seen it on Facebook.

What inspired your work?

There is more to the story of the Gunpowder Plot than is commonly known. Rather than concentrate on the usual suspects I chose to focus on 3 lesser known yet interesting characters and have them brought in for questioning. A crime drama based in fact with imaginary dialogue.

What else have you been doing to keep busy in lockdown?

Writing stage plays is my passion so I never stop.

What are you looking forward to most after lockdown?

To feel 'free' and have unrestricted access to family and friends. Eat out and see live theatre again.

 

Ron Fernee

 

Tell us a bit about where you live and about your life?

I have lived in London, since 1971, when I moved to England from Florida, where I did all my schooling and ultimately graduated from the University of Florida, with a BA in Theatre Arts.

Why did you enter the King Lear Prizes?

I entered the King Lear Prize, because I've long felt that there aren't enough outlets for serious creative work by emerging artists over 70. I consider it to be an important prize and an honour to make it on the short list.

What inspired your work?

The original inspiration for STARGAZEY PIE, was a local news story in the Hampstead and Highgate Express, of a homeless man who actually tried to hold up a sub post office, using a gun made of pipe and gaffer tape. 

What else have you been doing to keep busy in lockdown?

My lockdown has been spent primarily writing a new script, going on long walks, and by trying to avoid watching the rubbish programming used to substitute the cancelled sport on television.

What are you looking forward to most after lockdown?

After lockdown, I look forward to travelling again, particularly to America, where I can be with my family.  I'm also looking forward to enjoying the new, improved, post-Covid theatre, and having my work as part of it.

 

Heather Lister

 

Tell us a bit about where you live and about your life?

Originally from Herefordshire, I have lived in Bristol for 20 years. I've had a busy life, mainly as an English teacher, and brought up four boys.

What inspired your work?

Watching young people growing up, I was always interested in what makes us what we are. A few years ago I worked with some Bath Spa students to produce a play on the theme "Thresholds." This present play is a re-working of that idea, written in lockdown.

What else have you been doing to keep busy in lockdown?

I have spent lockdown supporting (remotely) my family, especially during the birth of a new grandson and the death of my brother; reading, writing and exercise (not as much as intended) and continuing some voluntary work with a mental health charity. I am also learning Welsh!

What are you looking forward to most after lockdown?

I long to resume face-to-face contact with people, especially friends and family, and to enjoy their company.

 

Graham Large

 

Tell us a bit about where you live and about your life?

I live in Hampton and in my younger days I wrote for and edited various trade magazines connected with the food and drink industry, from fish retailing to meat processing. I ended up running a monthly brewing magazine, which gave me the opportunity to visit breweries up and down the country and learn about one of life’s great pleasures, which I’m happy to say I’ve given free rein to over the last four months.

Apart from the writing I’ve always played music. I am currently in a band specialising in classic rock and roll from the 50s and 60s although lockdown has put the brakes on that, hopefully temporarily.

Why did you enter the King Lear Prizes?

I entered the King Lear Prizes as I thought it a wonderful opportunity for older people like me to show what we could do artistically. There is a huge pool of talent in the over 70s generation and I thought I’d like to participate in the venture. I take my hat off to the people who thought the thing up with all the work that must have gone into organising it. And it’s very nice of them to have put me on the drama short list.

What inspired your work?

When I ended my career in journalism I involved myself with a local charity as a driver, ferrying older people to mainly doctor and hospital appointments. I enjoyed the work as I came into contact with people who had led interesting lives and who were happy to share some of their experiences with me. For instance, one had been a professional ballet dancer and another a principal orchestral player in a major opera house.

The idea for my play, ’The Visit’, came after listening to a long-term ‘befriender’ – a volunteer who visits people in their own homes – talk about her work. This lady had quite a superior manner and I wondered how she related to some of the people she visited and who I may have given lifts to. It was this social contrast that I found interesting and the play was constructed around it.

What else have you been doing to keep busy in lockdown?

During lockdown I’ve been kept busy by continuing my job as groundsman for a local cricket club. It was fairly easy at first as all I had to do was cut and water the square, but when leagues started up again in July it was back to producing two wickets for the weekends, plus the odd colts game midweek. It has certainly helped keep my fitness levels up.

I’ve also been writing a diary of life during the pandemic and continuing my life story, which I started after I packed up work. I’m pretty well up to date now although I keep having to revisit incidents I’d thought I’d written about previously but discovered I hadn’t.

What are you looking forward to most after lockdown?

After lockdown I’m hoping to write more plays and short stories, carry on with charity driving and play regular gigs with my band in local pubs. Most of all though I’d like the pubs to get back to normal so that I can once again stroll into my local and order a pint without feeling that I’ve entered some kind of isolation ward. Fingers crossed.