Shortlisted Entries

Poetry

 

These eight shortlisted entries have gone forward to the final judging panel, with the winning entry to be announced in September. You can read their works below, and find out more about the shortlisted entrants at the bottom of the page.

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Remaining

By Patricia Griffin

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Snape Maltings

By David Bramhall

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 Risotto

By Diane Chorley

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Nan’s Bones

By Martyn Barlow

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Hell’s Angel

By Jane Jones

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Midnight Raiders

By Dick Hayes

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Don’t Talk to Me of Love

By Elizabeth Parish

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The Little Grey Lady of the Sea

By Rick Summat


Highly Commended Entries

Poetry

In addition to our shortlisted entrants, our judging team was particularly impressed with the following Highly Commended works, chosen from over 4,500 works in the poetry category.

Appy Chappy By Russell Adams

The Time's Plague By Elaine Jane Ashton

The Heirloom By Judy Barrett

Mr Lucky By Lorna Beasley

Isolation: A Trilogy By Lorna Beasley

Out Of The Dark By Bernice Bedford

Capturing Winter By Annette Berman

Birthday By Keith Bolton

Hindsight (Remembering 1962) By Kathryn (K A) Booth

The Missed Call By Jenny Bowman

Full Circle - The Lament Of The Second Wife By Jenny Bowman

Dorset Walk In Isolation By Carol Brown

Souvenirs By Robert Bynoth

Waiting For The Van To Come By Chris Clark

Silver Band By Christopher Collier

Alzheimers By Bill Cooke

Parting By Bill Cooke

A Spectre Steals Across The Land By Brian Crichton

On Becoming Deaf By Rita Daughton

Between The Lines By Jane Dobson

Love, Distilled By Bill Drayton

Lingering By Bill Drayton

Picasso's 3 Dancers Of 1925 By Phyllis Dunseth

The Girls On The Train By Ceri Eagling

House Rules By Ceri Eagling

Remembering Mum By Anna Edgar

Threads By Jane Edmonds

The First Christmas By Brenda Fisher

Park Walk Blues By Mary Fortune

The Composer By Mary Fortune

Thoughts Of Joanna By Rick Gammon

Night Walk North From Seahouses By Rick Gammon

Sleeping With Penguins By Rick Gammon

The Seamstress's Tale By Tony Grand

An Old Person's Prayer By Patricia Griffin

Covid Quartet By Elspeth Hamilton

Words Have Wings By Richard Hayes

Stick It In The Family Album By Pamela Hemelryk

An Aubade By Malcolm Henshall

The Weight Of Dust By Brian Herdman

A Fistful Of Haikus By Robert Hershkowitz

The Gutter Poet Of The Pont Neuf By Andrew Holbrook

Dreamland By Brian Holland

Awareness By Elizabeth Holley

Ink Blue Day By Anthony Howess

Treading Water By Jennifer Hunt

Hedgehog By Jennifer Hunt

Not Just For Christmas By Colin Jack

Last Test By Colin Jack

Antarctica - And You By Eva Jacobs

On Shot Putting By David Jenkins

Walk The Walk By Anita Lindah Kiddey

Riots. After Martin Luther King The Third By Angela Langfield

Platform 4 By Dennis Lewis

Broken Up By Jennifer Liebenberg

I Think My Name's Maisie By Carole Linnea Blair

What Course To Take? By George Low

The Stone In My Shoe By Alexander MacEwen

War Games By David Mackenzie

Gargoyles And Grotesques By David Mackenzie

Pearl Button By Elizabeth Magennis

The Chinese Bird By Carole Martin

Nae Worries By Philip John Clark McGill

The River Of Life By Derek McGinn

Set In Stone By Maggie McLean

Renaissance By Ann McMeikan

Greyhound By Ann McMeikan

Dahlias By Ann McMeikan

Cod's Law By Malcolm McMinn

The Kitten By Sylvia Millea

In The Rural Night Time Nowhere By Ron Millet

Notes From Nature By Joan Mills

Take The Knee By Eileen Mitchell

Roy Rogers, I Love You By Sylvia Moore

The Sentence Never Ends By Monica Muench

Loss By Janet Newby

No More By Frank Nunneley

Crumpet By Susan Osman

The Shop By Michael Palfrey

Parallel Lives By John Nicholas Pallot

First Night Nerves By David Parton

Morning Walk By Neil Patrick

Coastal Marshes By Sue Petrie

Cold Harbour By Roberta Prime

Spellbound By Christopher Rawson-Tetley

Seagulls And Soaring By Joanna Ray

Blood-Red Morning By Peter Rees

The Travelling Fishmonger By Edward Richardson

Cold Comforts By Edward Richardson

Out Of The Blue By Christine Rose

The Shapeshifter By Maura Ross

Gnasher By Teresa Russell

June 2020: Metaphors By Jill Saudek

Karl Bright By Maggie Senior

We Are As One Now By Stella Shackle

In The Garden Of The Swan Hotel By Roger Smith

A Culinary Conundrum By Helen Spence

Shine A Light! By Helen Spence

Promises By Mick Stannard

Thockrington By Karenza Storey

Result By Pat Sutherland

Brimham Rocks By Peter Talman

I Remember By Vicky Tearle

Before Sleep By Gilly Thomas

Old Artist By Gilly Thomas

Watsons Walls By Derek Toward

Soft By Robin Tranter

That's Jazz By Bea Turner

The Eyes Tell It By Bea Turner

Last Ditch Attempt By Valerie Vearncombe

Ancestors By Chris Waters

London This Evening By July Webster

Woman Into Tree By Wendy Lalla Wharam

Last Night I Dreamt I Walked By Wendy Lalla Wharam

No, Not Shakespeare - Could It Be John Ford? By Keith Whiteley

Dad's Waltz Of Freedom By Susan Wilding

The Actor By Simon Williams

Dusk By Simon Williams

Underwater Wedding By Angela Yates

A Poor Man's Testament To Love By Colin Young

Homecoming By Colin Young


Meet Our Shortlisted Entrants

Poetry

Patricia Griffin

Tell us a bit about where you live and about your life?

I live in Whitstable, Kent. I was born in Hampshire but spent most of my early childhood in Singapore. When I was a teenager I lived near Folkestone.

Why did you enter the King Lear Prizes?

I enjoy writing poetry and hoped I could write something worthy to win a competition.

What inspired your work?

Spending more time at home and sorting cupboards brought back earlier memories of home and family.

What else have you been doing to keep busy in lockdown?

During lockdown I've been managing and redesigning my big garden, as well as going on long walks with the dog.

What are you looking forward to most after lockdown?

I’m looking forward to being reunited with my young grandchildren at the end of lockdown.

 

David Bramhall

Tell us a bit about where you live and about your life?

I live in Harleston, a small market town in the Waveney Valley on the Norfolk/Suffolk border. I am married and have two grown-up children and two grandchildren. I was originally a musician and for many years worked as a music teacher, conductor, arranger and choir-trainer. Latterly I founded and directed a well-known children's choir. Since retirement I have gravitated from music to the written word, and have self-published a number of non-fiction books, novels and short stories.

Why did you enter the King Lear Prizes?

Very few people read the books I write, although those who do are … well ... polite, anyway. Most of them. On the other hand, no one reads my poetry at all. I could hardly pass up the opportunity to reach a wider audience, and to see if my verse is actually any good.

What inspired your work?

In my musical career I performed and conducted many times at the magnificent and atmospheric Snape Maltings. The sensation described in the poem, of being in a great reservoir of stored up music from the past, is a very real one to me. Expressing it succinctly in verse was a challenge.

What else have you been doing to keep busy in lockdown?

I have very nearly completed my next novel, and done plenty of research and preparation for the one after that. In between times, I have enjoyed watching my wife do the gardening, offering generous encouragement and advice - which often falls on stony ground, I find. I can't think why.

What are you looking forward to most after lockdown?

If I'm honest, lockdown has bothered me very little as I am not a particularly social person. One thing I do look forward to is being able to take my very charming mother-in-law (95 years old and self-isolating from the very start) to the supermarket for the first time!

 

Diane Chorley

Tell us a bit about where you live and about your life?

 live in the sleepy seaside town of Seaton, Devon. I grew up in Surrey and in Devon, but I have lived in London, Hertfordshire, Scotland and now happily retired in Devon.

I first caught the writing bug when I won a prize aged 7, in Enid Blyton's Sunny Stories.  The prize was a 2/6 (half-a-crown) postal order.  My life's work, however, has been raising a family and working in libraries, although I have always had one or two writing projects on the back burner.

What inspired your work?

I saw Risotto like a silent film, with images drifting across the screen, and tried to capture the scenes with words.

What else have you been doing to keep busy in lockdown?

We are three generations in my home, so during lockdown I have still been on granny duty, but have also been learning to paint with acrylics, and practising my calligraphy on birthday cards, which I make for friends and family.

What are you looking forward to most after lockdown?

When lockdown finishes I am looking forward to our town hall re-opening, as this is where we meet for many of our social activities, like Scrabble, Wine Appreciation, Scribblers Writing Group, the Art Society, and lots of Live Screenings.

 

Martyn Barlow

Tell us a bit about where you live and about your life?

Two years ago we moved from North Staffordshire to Jarnac in south-west France. I lived most of my life in Newcastle-under-Lyme in North Staffordshire. I went to a Secondary Modern school, having failed my 11 plus exam, and started work at 16. I worked in the pottery industry and later in Stage Management in professional theatre. At 66 I graduated with an MA (with distinction) in Creative Writing from Keele University.

Why did you enter the King Lear Prizes?

I was told about the King Lear Prizes by a friend and it’s always good to have some work floating around ‘out there’ … one never knows!

What inspired your work?

I am a member of a Zoom poetry group and we read and discussed Seamus Heaney’s ‘Clearances’. I liked the idea of linked sonnets and thought I could explore the relationship between our past and present; how physical contact, sounds, sights and smell conjure ‘place’ and how replacing this with digital contact is a poor substitute.

What else have you been doing to keep busy in lockdown?

Like many people who move to France our ‘ideal bungalow not requiring any work’ turned into a two-storey house in need of TLC! So, we’ve been trying to establish a garden whilst the weather is good (most of the time!) and the endless list of painting and decorating is … well, endless!

What are you looking forward to most after lockdown?

I now look forward to a time when we can safely travel back to England to re-establish a proper relationship with family and friends and go to the theatre once again.

 

Jane Jones

Tell us a bit about where you live and about your life?

I was born in Liverpool and via London and Oxford, came to live in Edinburgh at the end of the 1970's with our two young daughters. My father's family came from Ardrossen and Arran and I think his love of islands and the sea has become part of me too. I fell in love with the island of Corsica over 40 years ago and go there as often as I can.

I've always liked poetry. An old school friend and I were laughing recently remembering that we sometimes skipped classes at school and read poetry sitting on a radiator in the toilets!

Why did you enter the King Lear Prizes?

I joined a small poetry writing group about eight years ago - which has become an important part of my life - encouraging and inspiring us all to write. I have never entered any competition before until one of the group circulated the news about this prize.

What inspired your work?

I like observing people and quirky moments which fire my imagination and now keep      a notebook of many! I noticed this elderly lady on her scooter in Corsica and thought           about her for days afterwards - where was she going with a pinny on a scooter?!

What else have you been doing to keep busy in lockdown?

Zooming with daughter and grandaughters in Spain. Walking with real       appreciation for the green parkland and hills which come into our city. Got a second   hand old bike and started to cycle again, having fish and chips on Portobello beach           with an old friend was an early highlight!

What are you looking forward to most after lockdown?

Hugging my daughter and granddaughters who live in Barcelona and who haven't been able to get over this year and the really good friends who keep me going.

 

Dick Hayes

Tell us a bit about where you live and about your life?

I live in Liverpool and with the family moved from South London in 1983. I have been a Liverpudlian longer than a Londoner and love the city of my adoption!

I worked for the NHS until retirement and have also been an unpaid Church minister for many years. I took up poetry in my early twenties and read widely from Spencer to Betjeman and have written many poems short / long / serious and comic. I am definitely not sporty!

Why did you enter the King Lear Prizes?

I felt you would appreciate the more gentle and reflective work that I compose. 

What inspired your work?

Recollections of those moments of tenderness, when we lay awake on a summer night with the window open, aware of the distant sounds and lights of the City.

What else have you been doing to keep busy in lockdown?

Scrabble! Gardening! and reading from my small, but varied library, titles such as: ‘George Fox’s journal’ , Bunyan’s ‘The Holy War’ and Milton’s ‘Paradise Lost’.

What are you looking forward to most after lockdown?

Spending time with our grandchildren and returning to church.

 

Elizabeth Parish

Tell us a bit about where you live and about your life?

I live in Manchester, and am a member of two writing groups, both of which are keeping in touch by e-mail during lockdown.

I am now retired, but I was for 30 years an English teacher, and found your group while looking for on-line exercises/competitions during lockdown.

What inspired your work?

The inspiration for this poem came from an exercise – writing in response to a well-known first (or last) line.

What are you looking forward to most after lockdown?

I am looking forward to seeing friends and going places once lockdown ends.

 

Tell us a bit about where you live and about your life?

I live in Hull, East Yorkshire. I was born in Essex and lived there until 1972 when the hippy dream overtook me and I hit the road with my wife and then 3 children. Since then I became a lone father of 7.

Went to university and got a couple of degrees in literature.  I've been a pastor, preacher and paper boy the last being, arguably my most successful position. I now write poetry full time and read (pre-lockdown) at poetry evenings.

Why did you enter the King Lear Prizes?

I entered as I thought it might be a bit of a buzz. Also I thought it excellent that entry was free - this is a rarity and I thought it a worthy endeavour. I quite liked 'The Little Grey Lady of the Sea' it seemed to flow nicely and appreciated the chance of giving it a wider readership.

What inspired your work?

I challenged myself to write about somewhere I've never visited - and as I waited for a kettle to boil, Nantucket haunted me - so I tried to produce something authentic about the eponymous island.

What else have you been doing to keep busy in lockdown?

During lockdown I've taken to waking early (around 4 am) and editing all my earlier works - streamlining them  - this generally consumes most of the day as better ways of expression pop into mind constantly.

What are you looking forward to most after lockdown?

After lockdown I look forward poetry readings and free and easy bus rides to the Yorkshire coast and seeing my grandchildren who only see me virtually for the safety's sake.

Rick Summat